Keats and the Senses of Being: Ode on a Grecian Urn (Stanza V) Essay

Keats and the Senses of existence Ode on a classic Urn (Stanza V)ABSTRACT With its focus on the pathos of permanence versus temporality as human aporia and on the function the Werksein of the work of art genuinely encountered, hind end Keatss Ode on a Grecian Urn is a particularly obligate subject for philosophical analysis. The major explications of this most contentiously debated ode in the language receive largely focused, however, on various combinations of the poems stylistic, structural, linguistic, psychological, aesthetic, historical, symbolic, and intellectual-biographical elements. My paper articulates a bona fide philosophical approach to the odes famously controversial fifth stanza (the wiz containing the Urns declaration Beauty is truth, truth beauty). I licence how William Desmonds metaphysics of Being-specific every last(predicate)y his analysis of the univocal, equivocal, dialectical, and metaxological senses of being-affords the groundwork for a hermeneutics of the between that elucidates the odes culminating stanza with all of the cogency and nuance that one would expect to derive from a arrogant ontology.In what ways are philosophy and literature mutually elucidating? to a greater extent specifically, how can a systematic metaphysics serve as a vehicle of insight into the way that literary art renders, in solution as it were, ontological truths that orchestrate our experience of the ideal? Id desire briefly to address these questions by considering the concluding stanza of John Keatss Ode on a Grecian Urn in terms of four complementary ontological keys. These four senses of being the univocal, the equivocal, the dialectical, and the metaxologicalare the heart of a compelling ontology expand by William Desmond in... ...n the unformed, undifferentiated, prelinguistic word that leaves the Du free and stands together with it in reserve where the liven does not manifest itself but is. (I and Thou 89).BibliographyBuber, Martin. I an d Thou. Trans. Walter Kaufmann. New York Scribners, 1970.Desmond, William. Being and the Between. Albany SUNY P, 1995.Heidegger, Martin. The Origin of the Work of Art. Poetry, Language, Thought. Trans. Albert Hofstadter. New York Harper, 1975.Keats, John. The Complete Poems. Ed. John Barnard. tertiary ed. London Penguin, 1988.Stambovsky, Phillip. The Depictive Image Metaphor and Literary Experience. Amherst, MA U of Massachusetts P, 1988. Myth and the Limits of Reason. Amsterdam and Atlanta Rodopi, 1996.Stillinger, Jack, ed. Twentieth Century Interpretations of Keatss Odes. Englewood Cliffs, NJ Prentice-Hall, 1968.